Product Demos Using Talented Keyboardists: Deceptive?
It Sorta Irks me all the Demos for synths and sample libraries out there that use an accomplished keyboardist to Demo the capabilities. They always play some intricate piece that sounds a lot like preset songs on a yamaha keyboard. Little Jazzy, a lot of the stuff they play would be suitable in a Jazzy Poetry night club or a bar. That sorta sound from 20 years or even further back. But then you go to the song DEMOS of some of these products and NOT A SINGLE one sounds like it has commercial quality. Well... maybe like some infomercials maybe but not cinematic/epic/big/ sounds that can be found in movies, electronic music, etc. Basically their musical ability, I believe, is masking the lower quality of the product. Am I way off here? What do you think?
Last edited by Bluesh1ft; 07-08-2017 at 10:47 AM..
If you can't play with the dynamics / expressiveness of a professional keyboardist, join the club. The same thing happens when you buy a drum kit - no shit, you're not as good as the guy who sold it to you, so it's always going to be a disappointment if you think you'll be able to pull it off.
Yeah, I think you're off here. We're not talking about a violin or a piano where there's a defining physical interaction between player and instrument that creates the sound. Because of the nature of the instrument, that synth sounds exactly the same when I play it badly as when Jordan Rudess jams on it. If you think 'wow, that pad sounds amazing!', that pad is absolutely available to you. The quality of playing doesn't affect the quality of the sounds. If you're unable to discern the difference it's a matter of perception and understanding on your end.
Some thoughts about this:
- if the presets have velocity and aftertouch assignments and other modulation assignments for MIDI controllers (such as making use of Serums 4 macros), demo songs can use this extensively
- simpler demos might just play the main sound without automating or changing anything such as macros, mod, pitch or even velocity
- good chord progressions can make a "normal" pad sound really nice, combined with stuff like aftertouch or modulation this might lead to massive differences compared to someone just triggering a few notes
This is not necessarily a matter of preset quality imho - some preset packs are made for more classical playing styles and depend on making use of velocity and aftertouch, others are made for modern controllers and focus more on macro assignments, others are made more for just programming melodies and feature a lot of automatic modulation but nothing controllable and sound great but always the same...
I pretty much agree with all you guys on this.
I actually used to be a talented keyboardist too, until my nerve damage and memory problems from medical malpractice of misprescribed drugs.
Hear my tunes at https://hearthis.at/daggit-gr/
Using: M-Audio KeyStation 49es, Alesis M1Active 320 USB, HP EliteBook, Xubuntu Linux w/WINE, Reaper, FL Studio, lots of freeware VST instruments and effects.